Headline : Review: “Afamefuna” Leaves Many Questions Unanswered

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Masquerade dances, titled men wearing the Ozo cap, talking drums, and celebratory noises at the center of which is Chief Afamefuna (Stan Nze), opens the film. However, this festive atmosphere is suddenly disrupted by the discovery of a dead body, foreshadowing the investigative plot that Afamefuna is about to take on. Afam is brought to the police station, where he is questioned by the trilingual ASP Gidado Shehu (Segun Arinze), who hopes to uncover the truth behind the mysterious death. As the story unfolds, we are introduced to the complex web of relationships and dynamics that bind Afamefuna, Paul, and the other Nwa Bois together, exploring themes of brotherhood, greed, and betrayal.

The opening text from the prestigious Harvard Business Review, which recognizes the Igbo Apprenticeship System (IAS) as the largest business incubator in the world, immediately underscores the significance and importance of the film. It takes an exploratory journey into the inner workings of the IAS model, centering on the lives of two Nwa Bois, Afam and Paul. While the dialogue, particularly that of the character Chief Odogwu (Kanayo O Kanayo), may at times delve into educational territory, Afamefuna is far from being a purely educational piece. 

The narrative develops primarily through the reflections of the protagonist, Afamefuna, as he recounts his past during his interrogation. Chief Odogwu, a prominent figure in the Nwa Boi community, takes a young Afam under his wings, a seemingly inconsequential addition to his group of apprentices. As Afam settles into his new role, learning the trade of selling building materials and techniques like Apiriko — a practice where young apprentices inflate the prices of their boss’s goods to earn extra income for themselves — he finds an ally in Paulo, who becomes his kin. Afamefuna and Paulo forge a close-knit friendship, with Paulo taking it upon himself to transform Afamefuna into a true “Lagos boy,” teaching him how to dress, carry himself, and navigate the challenges of city life without falling into trouble. As the story progresses, it becomes difficult to accurately pinpoint the good, the bad, and more importantly, whose side the audience should take. This ambiguity switches when we witness Paulo in a compromising position with Odogwu’s only child, Amaka, played by Atlanta Bridget Johnson. Thus the audience’s sympathies shift, leading them to rally behind Afamefuna, whose loyalty and moral compass are seen in a more favorable light.

When Afamefuna learns Apiriko, he doesn’t succumb to greed, like his troublesome counterpart, Obum (Chuks Joseph). Instead, Afam chooses to share his profit with Odogwu. The film leaves certain threads unexplored — for instance, the possibility of Obum implicating Afamefuna by stealing money and framing him, which would have been a logical and compelling plot development. Instead, the story focuses primarily on the grounded brotherhood between Afamefuna and Paulo, a dynamic that is so easily disrupted when Odogwu unexpectedly chooses to settle Afamefuna before Paulo. This ultimately makes Paulo angry and resentful, causing him to sever his brotherhood with Afamefuna and flee from Odogwu. 

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